When the controller is needed, we’ll have an AC pull focus. On top of that, he’s a killer focus puller if we’re in majestic mode. Tyson takes the responsibility of tuning, balancing and maintaining the MoVI throughout the day. My experience with it so far has been acting as both the DP and the operator on set. Wouldn’t want to be on a job without him. I am fortunate to know and work with Tyson VanSkiver in Pittsburgh. In my circles of collaboration, I knew it would be a hit.Īfter putting it through the test on a slew of jobs of various sizes, crew, budgets, cameras and traveling across the world with it, I’ve learned a thing or two about effectively and efficiently using the MoVI…įor starters…the MoVI really is a two man minimum operation. Being able to improvise on the fly with cinematic, complex movements and blocking fires me up! Especially for documentary work or small crews on commercials. There’s a freedom with the MoVI unlike anything I have experienced. This is a good thing in my mind because it’s a CRAFT, not a toy.
#HOCUS FOCUS AXIS1 HOW TO#
It’s precision mechanics that requires time & understanding of how to utilize it. First thing that I realized was that the M10 is not a grab and go tool. I decided to make the full investment in November 2013 and started working with it right away. However, it’s impression didn’t leave me for one second…. Unfortunately, it wasn’t in full on production at the time and we didn’t have the cash to bring the freefly crew out. The first thought in my mind was how amazing this tool would be for the story we were about to shoot in Ukraine. I was first intrigued by the MoVI while in pre-pro for principle photography for Gennadiy, an upcoming documentary with Blood Brother’s Steve Hoover & Danny Yourd. Freefly System’s MoVI M10 – Not Just a New Tool, A New Craft
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